Alma Tadema
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8 January 1836 – 25 June 1912. Most renowned painters.

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Canaletto
The Molo and the Riva degli Schiavoni from the Bacino di San Marco

ID: 52347

Canaletto The Molo and the Riva degli Schiavoni from the Bacino di San Marco
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Canaletto The Molo and the Riva degli Schiavoni from the Bacino di San Marco


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Canaletto

Italian Rococo Era Painter, 1697-1768 Italian painter, etcher and draughtsman. He was the most distinguished Italian view painter of the 18th century. Apart from ten years spent in England he lived in Venice, and his fame rests above all on his views (vedute) of that city; some of these are purely topographical, others include festivals or ceremonial events. He also painted imaginary views (capriccios), although the demarcation between the real and the invented is never quite clearcut: his imaginary views often include realistically depicted elements, though in unexpected surroundings, and in a sense even his Venetian vedute are imaginary. He never merely re-created reality. He was highly successful with the English, helped in this by the British connoisseur JOSEPH SMITH, whose own large collection of Canaletto works was sold to King George III in 1762. The British Royal Collection has the largest group of his paintings and drawings.  Related Paintings of Canaletto :. | Venice Viewed from the San Giorgio Maggiore - Oil on canvas | The Molo Venice | The Rio dei Mendicanti (detail) | The Grand Canal and the Church of the Salute (detail) ffg | Ricevimento del'ambasciatore imperiale al palazzo Ducale (mk21) |
Related Artists:
Auguste Alexandre Hirsch
1833-1912
Johann M Culverhouse
1821-1895
Hendrick Terbrugghen
1588-1629 Dutch Hendrick Terbrugghen Galleries Dutch painter and draughtsman. He was, with Gerrit van Honthorst and Dirck van Baburen, one of the leading painters in the group of artists active in Utrecht in the 1620s who came to be known as the UTRECHT CARAVAGGISTI, since they adapted Caravaggio subject-matter and style to suit the Dutch taste for religious and secular paintings. Ter Brugghen was an important innovator for later Dutch 17th-century genre painting; his recognition as an unorthodox, but significant influence on the work of Johannes Vermeer and others is a relatively recent, 20th-century phenomenon.






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