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8 January 1836 – 25 June 1912. Most renowned painters.

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Canaletto
The Molo and the Riva degli Schiavoni from the Bacino di San Marco

ID: 52347

Canaletto The Molo and the Riva degli Schiavoni from the Bacino di San Marco
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Canaletto The Molo and the Riva degli Schiavoni from the Bacino di San Marco


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Canaletto

Italian Rococo Era Painter, 1697-1768 Italian painter, etcher and draughtsman. He was the most distinguished Italian view painter of the 18th century. Apart from ten years spent in England he lived in Venice, and his fame rests above all on his views (vedute) of that city; some of these are purely topographical, others include festivals or ceremonial events. He also painted imaginary views (capriccios), although the demarcation between the real and the invented is never quite clearcut: his imaginary views often include realistically depicted elements, though in unexpected surroundings, and in a sense even his Venetian vedute are imaginary. He never merely re-created reality. He was highly successful with the English, helped in this by the British connoisseur JOSEPH SMITH, whose own large collection of Canaletto works was sold to King George III in 1762. The British Royal Collection has the largest group of his paintings and drawings.  Related Paintings of Canaletto :. | Piazza San Marco,Looking Eastwards | Venice: The Feast Day of St. Roch | The Bacino di S Marco on Ascension Day (mk25) | The Grand Canal at the Salute Church d | View of San Giuseppe di Castello (detail) f |
Related Artists:
Johann Caspar Schneider
Rhine valley by Johann Caspar Schneider in 1820
HIGHMORE, Joseph
English Painter, 1692-1780 English painter and writer. The son of a coal merchant and the nephew of Thomas Highmore (1660-1720), Serjeant-Painter to the King, he was articled to an attorney on 18 July 1707. Bored with his duties, he attended Kneller's Academy from 1713 and in 1715 abandoned law, setting up as a portrait painter in the City of London. From 1720 he attended the St Martin's Lane Academy, where he was able to study contemporary French styles in art and design, particularly that of Gravelot. He read widely and mastered Brook Taylor's system of perspective (1715). He also attended William Cheselden's anatomy lectures and contributed designs to that author's Anatomy of the Human Body (1722).
Christian Stocklin
Christian Stöcklin Germany (Geneve 1741 -Frankfurt 1795 ) - Painter






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